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Woman Pleading For Justice
Woman Pleading For Justice, 1828 · Metropolitan Museum of Art, New York, NY
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French · 1808–1879

Honoré Daumier

Honoré Daumier portrait
Born
1808
Died
1879
Nationality
French
Primary Movement
Realism
Works in collection
36
Movements
Wikidata →
Works in Collection
36 works
Woman Pleading For Justice
Woman Pleading For Justice
1828 · Metropolitan Museum of Art, New York, NY
The Nightmare
The Nightmare
1832 · Cleveland Museum of Art
Rue Transnonain, April 15, 1834
Rue Transnonain, April 15, 1834
1834 · Cleveland Museum of Art
The Past, the Present, the Future, plate 349
The Past, the Present, the Future, plate 349
1834 · Art Institute of Chicago
Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle
Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle
1834 · Art Institute of Chicago
Malbroug s'en va-t-en Guerre...
Malbroug s'en va-t-en Guerre...
1835 · Art Institute of Chicago
“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types Parisiens
“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types Parisiens
1840 · Art Institute of Chicago
"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens
"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens
1840 · Art Institute of Chicago
The Abandonment of Ariadne
The Abandonment of Ariadne
1842 · Cleveland Museum of Art
Gentlemen.... here goes a 43rd toast.... to the Temperance Society
Gentlemen.... here goes a 43rd toast.... to the Temperance Society
1844 · Cleveland Museum of Art
The hazards of shaking a plum tree too vigorously, when one too is mature.
The hazards of shaking a plum tree too vigorously, when one too is mature.
1845 · Cleveland Museum of Art
The Grape Gatherer, from Les Bons Bourgeois
The Grape Gatherer, from Les Bons Bourgeois
1847 · Art Institute of Chicago
“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”
“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”
1848 · Art Institute of Chicago
One of theses day you have to do my portrait in this style
One of theses day you have to do my portrait in this style
1848 · Cleveland Museum of Art
An Activist, from Les Femmes Socialistes
An Activist, from Les Femmes Socialistes
1849 · Art Institute of Chicago
Jean Jacques Fayet, Bishop of Orléans
Jean Jacques Fayet, Bishop of Orléans
1849 · Cleveland Museum of Art
Two Atlantes in Conversation
Two Atlantes in Conversation
1855 · Metropolitan Museum of Art, New York, NY
Singing Guitarist (recto)
Singing Guitarist (recto)
1855 · Cleveland Museum of Art
Un Directeur de n'Importe quel Théâtre, from "Croquis d'Été"
Un Directeur de n'Importe quel Théâtre, from "Croquis d'Été"
1856 · Metropolitan Museum of Art, New York, NY
"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857
"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857
1857 · Art Institute of Chicago
Art Lovers
Art Lovers
1858 · Cleveland Museum of Art
Death and the Doctor
Death and the Doctor
1860 · Metropolitan Museum of Art, New York, NY
The Connoisseur
The Connoisseur
1860 · Metropolitan Museum of Art, New York, NY
The Print Collector
The Print Collector
1860 · Art Institute of Chicago
Two Drinkers
Two Drinkers
1860 · Metropolitan Museum of Art, New York, NY
The Drinkers
The Drinkers
1861 · Metropolitan Museum of Art, New York, NY
Around the Studios
Around the Studios
1862 · Cleveland Museum of Art
Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistes
Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistes
1862 · Art Institute of Chicago
The Third-Class Carriage
The Third-Class Carriage
1864 · Metropolitan Museum of Art, New York, NY
Don Quixote and the Dead Mule
Don Quixote and the Dead Mule
1864 · Metropolitan Museum of Art, New York, NY
Family Scene
Family Scene
1865 · Art Institute of Chicago
The Troubadour
The Troubadour
1868 · Cleveland Museum of Art
Washerwomen Descending a Quai Staircase
Washerwomen Descending a Quai Staircase
1888 · Cleveland Museum of Art
Palette
Palette
Metropolitan Museum of Art, New York, NY
Head of a Man
Head of a Man
Metropolitan Museum of Art, New York, NY
The Laundress
The Laundress
Metropolitan Museum of Art, New York, NY